Pirates and Privateers
The History of Maritime
Piracy
Cindy Vallar, Editor
& Reviewer
P.O. Box 425,
Keller, TX 76244-0425
Books for
Adults ~ History: Navy (United Kingdom)
Kings of the Sea: Charles II,
James II & the Royal Navy
by J. D. Davies
Seaforth, 2017, ISBN 978-1-84832-400-8, US $42.00 / UK
£30.00
review by Irwin Bryan
In his
introduction, the author laments the lack of mention
of the Royal Navy in any biography covering the
Stuart kings. Naval histories of the 17th century do
not indicate the Stuarts are responsible for any of
the navy ships built or any changes to naval
policies. The majority of contemporary written
records on the navy are produced and kept by Samuel
Pepys, making him the most important source of naval
history from this period. It is also true that in
diaries and meeting minutes Pepys put his own slant
on things that are discussed and decided. The
purpose of Kings of the Sea is to correct
the historical record and give the Stuart brothers
the acclaim they rightly deserve.
The publishers have produced a lavish book, which
includes many of the superb naval paintings done in
the 17th century. These are presented throughout the
text in full color on glossy paper and range in size
from ¼ page to double-page spreads. There are also
photographs and/or pictures of places mentioned in
the text and contemporary maps.
King James I established a permanent navy able to
defend the British seas. By 1623, thirty-five
warships were ready. Some had received repairs and
others had been built. By the end of his reign,
there were four Royal dockyards: Chatham, Deptford,
Woolwich and Portsmouth. The king’s son, Henry,
Prince of Wales, was very involved with the navy. He
regularly visited the dockyards and
inspected the ships being built. He promoted voyages
of exploration that would lead to the growth of
trade for the kingdom. Regrettably he died of typhus
at the age of eighteen.
After James I dies in 1625, Charles I becomes King
of England. He does not go to Parliament for
approval on the levies to increase the royal coffers
and in 1629, he dismisses Parliament to rule by
himself. During this time, Charles builds larger
ships. In 1637, the first vessel to hold more than
100 guns is completed. Sovereign of the Seas
is given many ornate and expensive decorations with
representations of Roman gods and the king. Some
historians say this vessel, her name, great size,
and expense epitomize the arrogant, out-of-touch
monarch who will be engaged in a civil war in less
than five years.
Charles I attends many ship launchings, tours his
fleet and dockyards, makes significant changes to
the Navy Board, and tries to reduce the corruption
at the dockyards. He also decides how many ships
will comprise a fleet and who will be their admirals
and captains. His decisions on ship design and
construction sometimes go against his shipwrights’
advice.
His young sons, Charles, Prince of Wales, and James,
Duke of York and Albany, will have met many of the
sea warriors that fight with Sir Francis Drake
against the Spanish Armada. At age four, Charles is
presented with a model ship, complete in her
rigging, made by the shipbuilder Phineas Pett. There
is every reason to believe the boys accompany their
father to the dockyards and the launching
ceremonies.
During the first Civil War, Parliament controls the
navy. Young Charles commands the king’s forces in
the west. A Royalist Navy captain is able to sneak
through the naval blockade and take the brothers out
of England, first to Scilly Isle and then to Jersey.
During the trip, Charles takes the helm and begins
his sailing lessons. While in exile, which lasts
until 1660, James also learns to sail and serves in
the military of France and Spain and even as Lord
High Admiral of Spain.
After Oliver Cromwell’s death, different factions
try to take control of England. In the end, a new
Parliament wins control and declares the Stuart
monarchy restored. A small fleet goes to the Dutch
Republic town of Scheveningen to retrieve the royal
brothers and their followers. The king and Duke of
York go aboard Naseby. By nightfall her name
is changed to Royal Charles. That same night
other ships are also renamed to remove Cromwellian
names and battles.
The ships of the Royal Navy belong to the monarch
and the naming of vessels has always been a royal
prerogative. The knowledge Davies has of naval
affairs and the Stuarts is clearly shown in the
first of two chapters (“His Majesty’s Ships I” and
“His Majesty’s Ships II”) by his being able to
understand and relate the reasons for naming each
ship. Indeed, the author even writes about names
Charles chooses not to use. The same type of detail
is explained regarding the ship names that James,
Duke of York, selects once he ascends the throne.
In the seventeenth century the science of
shipbuilding is known only to the master
shipwrights. The king and Duke of York acquire
in-depth knowledge of the principles and designs of
every construction phase and hold their own when
speaking to captains and shipwrights. This is so
incredible that Davies provides a modern analogy. It
will be as if “two consecutive prime ministers of
the United Kingdom, or presidents of the United
States, possessed doctorates in astrophysics.” (66)
The king and his brother, now Lord High Admiral of
England and Scotland, are very involved in governing
the navy. They increase the size and technical
knowledge of the Navy Board, make changes to
personnel, and appoint the warrant officers
permanently assigned to each new vessel. James
issues many revised instructions to the board and
his captains, including the Articles of War and the
Fighting Instructions. The king’s Privy Council
decides naval policy and the compositions of fleets.
Following the Restoration, the majority of
Cromwell’s captains need to be removed from the
king’s navy, but some are retained because they
possess certain qualities expected of a naval
captain. Although available, most merchant ship
captains do not have these qualities. This led to
the appointment of “gentlemen-captains,” who have
the social standing to lead but lack knowledge in
sailing and seamanship. To correct this deficiency,
James institutes the post of “volunteers per order.”
Younger sons of well-born parents are given places
aboard men-of-war with the expectation that they
will learn the ways of the sea before qualifying for
commissions. In 1677, the standards for promotion to
lieutenant – including years of service and
examination by the king’s flag officers and senior
captains – are approved by the Board.
The following year, the position of “midshipman” is
established and young “tarpaulin” candidates are put
together with young gentlemen to change attitudes
and animosity within both groups of young officers
and the more senior officers. The text indicates
this is thought to be a plan of Pepys, or at least
that’s how Pepys records it happened. Davies refutes
why this is not the case in great detail and
additionally in an appendix where he describes the
way Admiralty meetings take place in the 1670s.
Detailed descriptions of the artwork in the royal
chambers at Windsor and Whitehall are also given.
Most depict Roman Gods paying homage to Charles II.
The Sea Triumph depicts him as a Roman
emperor, with his fleet in attendance, “being driven
through the waters by Neptune and four sea horses.”
The translation of its Latin legend is “whose
empire, ocean, and whose fame the skies alone shall
bound.”(151) In a chapter named “Sovereignty of the
Seas,” the origins of this ideology are detailed, as
are the disputes that arise when other nations
refuse to salute an English squadron.
In addition to the beauty of the paintings already
mentioned, each has a detailed caption. Many notes,
mostly of sources, are found before a detailed
index. The book also contains an appendix, a select
bibliography, and suggestions for further reading.
Kings of the Sea is an excellent work
detailing the role the Stuarts undertake in the
design and construction of many ships and in the
establishment of the infrastructure needed to
support a permanent navy. This is a view of the
17th-century Royal Navy without battles or naval
heroes as the central theme. Still the text holds
your interest thanks to Davies’ conversational
style, which makes it seem as if he is speaking with
you instead of lecturing to you. My reason for
choosing to read this book is that I am reading my
way through Davies’s fiction series, The Matthew
Quinton Journals, and realize how much I do not know
about this period of naval history. Kings of the
Sea is the perfect book for anyone interested
in learning the actual history of the times, the
importance of King Charles II and James II to the
Royal Navy, or Quinton’s not-too-fictional naval
world.
Review Copyright ©2018 Irwin Bryan
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