Pirates and Privateers
The History of Maritime
Piracy
Cindy Vallar, Editor
& Reviewer
P.O. Box 425,
Keller, TX 76244-0425
Books for
Adult Pirates ~ Pirate Captives
Barbary Captives: An Anthology of Early Modern Slave
Memoirs by Europeans in North Africa
edited by Mario Klarer
Columbia University, 2022, ISBN 978-0-231-17252-8, US
$35.00 / UK £28.00
Also available in other formats
Imagine you travel on the
sea, bound for home, when the lookout
spots strange sails scudding across the
water directly toward you. Perhaps you
live on the coast, going about your daily
tasks, when armed raiders rush ashore.
These scenarios are all too familiar to
Europeans living between 1500 and the
early 1800s. Their attackers are Barbary
pirates who come from North Africa and
range from as close as the Iberian
Peninsula to as far away as Iceland. Their
sallies have one goal: to capture whoever
crosses their path. Regardless of age or
sex, be it you, your family, or your
neighbors, this may well be the last time
you see your homeland. Now you will
journey to Algiers, Morocco, Tripoli, or
Tunis to be separated and sold into
slavery.
Such was the fate of several hundred
thousand Europeans. Those who survived the
voyage suffered the indignities and
torments of slavery, and many never
reunited with loved ones. The lucky ones
regained their freedom – through ransom,
by escaping, or in converting to Islam –
and wrote narratives about their
experiences. This anthology brings
together, for the first time, thirteen of
these eyewitness accounts in which they
discussed a variety of topics: the pirates
who captured these individuals; different
tasks they were forced to do; the
treatments they suffered; renegades;
exotic customs and locales; religion, and
more.
Whether complete texts or excerpts from
longer works, the narratives contained
within this collection include the
following:
Balthsar Sturmer, son of a
German merchant, decided to try his hand
at pirating, only to find himself the
victim of pirates in 1534. After his
capture, he became a galley slave in
Hayreddin Barbarossa’s fleet, and he
describes what that experience was like
and some of the historical events he
witnessed. His Accounts
of the Travels of Mister
Balthsar Sturmer
is the earliest recorded slave
narrative.
Antonio de
Sosa, himself a slave at one time,
published a multi-volume work in 1612
entitled Topography of Algiers.
In this excerpt he recounts one of
Miguel de Cervantes’s attempts to escape
his enslavement during his five years of
captivity. De Sosa’s books proved
important for those who sought
information that helped to enlighten
military and diplomatic efforts in this
region of North Africa.
The
Travels of Reverend Ólafur Egilsson
recounts how pirates from Morocco and
Algiers raided Iceland in 1627. They
captured Egilsson, his family, and about
400 others. His is one of the few
accounts that discuss in detail Barbary
raids on land – an attack that left an
indelible impression on the psyche of
the Icelandic people that remains even
today.
This
translation of Emanuel d’Aranda’s Short
Story of My Unfortunate Journey
comes from a handwritten account
recently sold at auction. Although a
nobleman, he attempted to pass himself
off as an ordinary soldier in an attempt
to reduce how much ransom those back
home had to pay for his release. What
makes this autobiographical manuscript
unique is that it allows researchers to
compare his original version with edited
versions that actually made it into
print. These published editions were
extremely popular in many different
countries and appeared in a variety of
languages, which made it available to
readers in all levels of society.
Antoine
Quartier spent eight years as a slave in
Tripoli, making The Religious Slave
and His Adventures a rarity among
captivity narratives. Not only is the
setting unusual, but so is his
description of grueling agricultural
labor. He also talks about the plague
that ravaged the city. Upon his release,
he joined the Mercedarians, a religious
order that devoted themselves to
ransoming Barbary slaves.
What sets
Andreas Matthäus and Johann Georg
Wolffgang’s Travels and Wonderful
Fortunes of Two Brothers in
Algerian Bondage apart from other
slave narratives is twofold. They spent
their four years of enslavement
together, rather than apart, and since
they were copper engravers, pictures
(created by one of the brothers) were
included when their account was
published nearly a century after their
release in 1688.
Isaac
Brassard gained his freedom that same
year, but his account wasn’t published
in France until 1878. The Tale of
Mr. Brassard’s Captivity in Algiers
incorporates religion into his account,
but not the differences between Islam
and Christianity. He was a Huguenot
(French Protestant), which made him
ineligible for ransom since these were
only paid for those captives who
practiced the Catholic faith.
Thomas Pellow
was eleven years old when he was
captured, and he spent twenty-three
years in Morocco before returning to
England in 1738. The History of the
Long Captivity and Adventures of
Thomas Pellow is a chronicle that
delves into the physical and
psychological aspects of his experience,
for he did convert to Islam, became an
officer in the sultan’s army, and had
difficulties re-entering English society
once he gained his freedom.
At fifteen,
Hark Olufs experienced similar
difficulties, which he discusses in The
Remarkable Adventures of Hark Olufs.
He rose through the ranks until he
became a trusted commander within the
Algerian bey of Constantine’s military.
His loyalty earned him his freedom in
1735 after serving his master for
fourteen years.
Maria ten
Meetelen’s Miraculous and Remarkable
Events of Twelve Years of Slavery
is another rarity because it is one of
the earliest authentic accounts written
by a woman. She recounts her daily life
as a slave; instead of being relegated
to doing whatever her master required,
she had to earn her own living in order
to survive. Equally remarkable is that
she managed to keep herself and her
family alive in spite of the frequent
regime changes during her twelve years
of captivity, beginning in 1731.
Descriptions
of the Barbaric Slavery in the Kingdom
of Fez and Morocco appeared in
print the year after Marcus Berg was
ransomed in 1756. Not only does he
provide intimate glimpses into the
sadist who ruled Morocco with an iron
fist, but he also describes a deadly
earthquake that affected both that
country and Europe. No other authentic
Swedish narrative has been found.
The
Narrative of Elizabeth Marsh’s
Captivity in Barbary relates the
four months she spent in Morocco in
1756, and the lengths she went to elude
the sultan’s advances. Marsh is one of
the few women who wrote openly about the
subtle, derogatory comments made by
others about her chastity. Of the other
British slave narratives that women
wrote, hers is the oldest known one.
One of the
few surviving Italian narratives, The
Account of an Amateur Antiquarian’s
Short Journey takes place shortly
before European and American navies
brought an end to Barbary corsairing in
the first half of the nineteenth
century. As a citizen of a nation that
had a peace treaty with Tunis, Father
Felice Caronni never should have been
taken as a slave, but during the attack
on his vessel, his passport was lost.
This excerpt focuses on his time as a
captive, while the work from which it
comes shares his abiding interest in the
heritage and culture of this region.
Arranged chronologically by dates of
captivity, these narratives have all been
verified as authentic. Each includes a
short preface to set the stage and shed
light on who, what, when, where, and why,
as well as how it differs from other
narratives and/or what it has in common
with them. Also included is a note about
the translations. Footnotes are provided
where necessary to explain terms, names,
and historical details. Illustrations are
provided where appropriate.
Klarer opens with a fascinating
introduction that is divided into several
sections: Captivity Narratives as an Early
Modern Genre, Piracy in the Mediterranean,
North African Slavery, The Ransom of
Slaves, Female Slaves, and Captivity
Narratives and World Literature. Here, he
highlights how the early accounts
influenced novels like Cervantes’s Don
Quixote and Defoe’s Robinson
Crusoe, which in turn impacted later
narratives. Klarer also discusses how
these narratives influenced other works,
such as Native American captivity
narratives and African American slave
narratives. He ends the anthology with a
Selection of European and American Barbary
Captivity Narratives; a List of Works
Cited and General Works on North African
Piracy and Captivity; and an Index of
Persons and Locations.
Little known today, these slave narratives
were popular among readers of the early
modern period, so much so that they can be
likened to a genre of their own. Klarer
deftly demonstrates their influence on
novels and autobiographies, which
eventually affected how later authors of
slave narratives wrote their accounts.
This compelling anthology re-introduces
readers to this “genre” in a diverse way
that is certain to elicit further study.
It incorporates details of how Barbary
corsairs worked and what it was like to be
captured by them that are absent from
other histories and English-language
narratives. It provides a wealth of
information from a variety of perspectives
in ways that capture readers’ attention
and at a reasonable price, making Barbary
Captives a treasure for any
collection.
Review Copyright ©2022
Cindy Vallar
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