Pirates and Privateers
The History of Maritime
Piracy
Cindy Vallar, Editor
& Reviewer
P.O. Box 425,
Keller, TX 76244-0425
Books for
Adults ~ Romance
Summon the Queen
By Jodi McIsaac
47North, 2017, e-book
ISBN 978-1503942252, US $4.99
print ISBN 978-1503942257, US $10.99
audio ISBN 978-1536610840, US $9.99
Once a member
of the paramilitary Provisional Irish
Republican Army, Nora O’Reilly wishes she
could go back and change the past. That
way her brother might still live, rather
than be caught up in the Troubles of
Northern Ireland. She gets her wish with
the help of Brigid, both an ancient
goddess and a Catholic saint, after she
dreams of a man calling out for help.
Cursed with eternal life, Fionn mac
Cumhaill has wandered through time for
centuries. Once a legendary warrior, he is
now just a man, who lives with the agony
of watching those he loves grow old and
die while he remains forever young. The
only way to break the curse is to free
Ireland from her enemies, a task he’s
attempted over and over again without
success. Nora offers him hope that he
might achieve this goal and, in the
process, restore her brother to life and
reunite with his loved ones who have
passed.
Their first attempt during the Irish Civil
War fails, and now they find themselves
traveling back to 1592 to find the pirate
queen Granuaile (Grace O'Malley). Things
never go quite according to plan, and they
arrive five years too early and a long way
from her home in County Mayo. They also
“land” amidst the ruins of a church and a
band of men, returning from a raid on the
English. Nora shoots one rebel in a
confrontation, but his partner recognizes
Fionn as a friend and they are left alone
to continue their arduous journey.
After a brief respite in Fionn’s home –
the one in which his 16th-century persona,
Robert O’Hanlon, lives – they ride to
Dublin to find a ship willing to take them
to Galway. Gold assuages the sea captain’s
qualms about putting to sea with a woman
aboard. Just as Fionn and Nora kiss,
Spanish pirates attack and he hastily
disguises her as a man to protect her.
After the pirates leave with their booty,
the crew blames Nora for their bad luck.
The only way to save herself is to keep
the wounded captain from dying as Fionn
and the crew try to reach Cork to repair
the damaged ship.
Any hope of finding assistance there
proves fruitless since the plague has
struck the town. It’s a four-day ride to
Galway, but Fionn and Nora have little
choice. To remain is more dangerous than
venturing through a burned-and-slashed
countryside populated by desperate,
starving people. Once they reach the city,
Fionn goes to the docks to learn what he
can about where Granuaile might be. Galway
is a dangerous place, and Nora’s innocent
questions soon get her arrested. Sir
Richard Bingham, the Governor of Connacht,
believes her to be in league with
Granuaile, his arch enemy, and Nora is
imprisoned just as Granuaile is being
taken to the gallows. Then Nora is whisked
away to an Irish castle whose earl has
been raised in the English court, and his
methods of finding out the truth are far
more subtle and dangerous than Bingham’s.
Nora’s only hope is to escape, but how?
Once free, how will she ever find Fionn so
they can convince the distrusting clans to
unite against their common enemy, the
English?
Summon the Queen is the second book
in Jodi McIsaac’s The Revolution series,
and ’tis a grand tale indeed. Nora’s
feistiness, determination, and caring
heart make her a character readers easily
connect with, although she has the
annoying habit of often saying “ta” when
answering questions. Deftly portrayed as a
legendary-hero-turned-ordinary-man, Fionn
is equally captivating and his reticence
to form attachments that will only cause
more heartache is a trait with which most
of us can identify. Granuaile steps from
the curtains of history to come to life
and her exploits are dramatically
portrayed, be it when she tells a story
about her favorite son or risks everything
to meet Queen Elizabeth herself. Whether
depicting a starving woman or the banded
corpse of a pirate on display as a warning
to others, McIsaac vividly recreates
16th-century Ireland. Her skill at
interweaving history with romance is
reminiscent of Irish bards who mesmerize
listeners with adventurous stories fraught
with danger and intrigue, where each peril
is more heart-stopping than the last.
Review Copyright ©2017 Cindy Vallar
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