Pirate FlagPirates and PrivateersPirate Flag

The History of Maritime Piracy

Cindy Vallar, Editor & Reviewer
P.O. Box 425, Keller, TX  76244-0425

Skull & crossbones
                  divider Skull & crossbones dividerSkull & crossbones dividerSkull & crossbones dividerSkull & crossbones divider


Home
Pirate Articles
Book Reviews
Pirate Links
Sea Yarns Galore
Thistles & Pirates


Books for Adults ~ Biography: Navy Seamen & Merchant Sailors

Pirate reading bookAccounts Worth ReadingPirate reading book Pirate thumbs-up Pirate Treasures Pirate thumbs-up
East by Sea and West by Rail
Favourite of Fortune
Slaver Captain
Admiral Albert Hastings Markham
De Ruyter
For God & Country
Frigate Commander
From Forecastle to Cabin
Cindy's review
Kristine's review

Landsman Hay

Man of War


Cover Art: East by Sea
                and West by Rail
East by Sea and West by Rail: The Journal of David Augustus Neal of Salem, Mass. 1798-1861
Edited by Cynthia Neal Rantoul
iUniverse, 2011, ISBN 978-1-4620-3513-7, US $24.55

Born to a former privateer who spent time on a prison hulk during the American Revolution, David Neal went to sea at the age of seventeen. The delay in his seafaring career stemmed from President Thomas Jefferson’s Embargo Act, which essentially shut down the maritime shipping industry. He served as clerk aboard the 250-ton Union, which sailed to Calcutta. After the War of 1812 broke out, he joined a privateer and eventually ended up serving time in Dartmoor Prison as a prisoner of war. He later became master of a merchant ship called Alexander, which also sailed to India. Thereafter, his voyages would take him to the Cape Verde Islands, Le Havre, New Orleans, Germany, and South America. Eventually he turned from the sea to the railroads, becoming the president of the Eastern Railroad and later other railroads that stretched to the western part of the United States. He lived during a time of political change, such as the rise and fall of Napoleon, and innovation, including electric lights, iron ships, photography, and the telegraph.

Rantoul has published this handwritten journal, incorporating with it genealogical information, family portraits and letters, pictures and illustrations of places and items discussed in the journal, newspaper articles, and maps showing Neal’s travels. Unfamiliar terminology and exotic costumes are defined as well. There is a detailed table of contents, as was the fashion of early books, but no index.


The drawbacks to this volume pertain more to formatting and editing. The typeface is reminiscent of being written on a typewriter, so it’s not as dark as what readers are accustomed to. Also, to read this oversized book, it’s necessary to turn it 90 degrees so that it must be held similar to how one holds a wall calendar. There is no explanation provided as to how the layout works, although I eventually determined that the left column of the odd-numbered pages was the journal and even pages and right columns of odd pages were the additional information that Rantoul inserted to enhance the journal. Nor is it clear, at first, what the underlining signifies (defined words). Once or twice the additions interrupt the flow of the journal because the information spills onto more than a single page. An example of this is the inclusion of six pages from Harriet Neal’s Account Book, which is inserted one paragraph into her husband’s account of his arrival in Philadelphia and Salem.


There are occasional misspellings or missing words in the journal, which may require the reader to peruse the sentence more than once to decipher its meaning. Some minor editing would have helped make the narrative easier to read and the errors less distracting. Captions aren’t provided for some of the extra material, so readers are left to wonder what it is or why it is included. The same holds true for Appendix A, as there’s no explanation as to why another person’s diary excerpt belongs.


One factual error occurs in the editor’s note on English Turn. It was not an unloading dock but a bend in the Mississippi River below New Orleans. This was where the French encountered the English in 1699, who had thought to establish a colony there until the French explained that the region belonged to France. There is also a misplaced heading, which supposedly covers the death of Neal’s sister, but that occurs in the paragraph before the heading.


When I read Neal’s opening sentence – “Autobiography is seldom interesting . . .” – I feared it would be prophetic, but the narrative becomes more thought-provoking once his seafaring life begins. He opens a window into a past time and takes readers to exotic locales where customs, such as a Hindu suttee, differ greatly from the world in which he lives. Equally important are the tidbits that Neal provides about ships and their cargoes, for example, how chess pieces are kept from tumbling off the board or what exports and imports brought significant profits. For readers of Pirates and Privateers, the section on Neal’s experiences as a privateer and prisoner of war are most compelling and include an escape attempt in which he is wounded. Those interested in firsthand accounts and early travel logs will also find this book of interest.


Review Copyright ©2015 Cindy Vallar

Skull &
                            crossbones = return to menu

Cover Art: Favourite of Fortune
Favourite of Fortune: Captain John Quilliam, Trafalgar Hero
By Andrew Bond, Frank Cowin, and Andrew Lambert
Seaforth, 2021, ISBN 978-1-3990-1270-6, UK £25.00 / US $44.95
 Also available in other formats

A native son of the Isle of Man, John Quilliam is feted in artwork and museums there. Elsewhere, few know his name or what he achieved during his lifetime. Favourite of Fortune changes this.

Quilliam, the eldest of seven children, was baptized in 1771; it is the only historical record of his existence until he left the island in 1785. Once he joined the Royal Navy, he rose from able seaman through the ranks to become a post-captain. Early in his career, he served aboard the ship that carried Britain’s first ambassador to China. He took part in the fleet actions at Camperdown, Copenhagen, and Trafalgar. As the fourth most important figure aboard HMS Victory during the last battle, he would be included in Benjamin West’s painting depicting Admiral Lord Horatio Nelson’s death.

During two plus decades of service, he came to the notice of influential men and numbered Nelson, James de Saumarez, and Richard Keats among his friends. He also acquired the necessary skills, experience, judgment, and perseverance that made him a good officer. He possessed an uncanny knack for refitting and repairing vessels, while his varied experiences included convoy and blockade duty, shipwreck, smugglers, privateers, Spanish gold, and prize money. He served on a court martial and was later brought up on charges even though he was obeying secret orders. Even after his retirement, he maintained an interest in the navy and in technology, especially if the innovation might help save sailors’ lives.

From historical records, the authors provide an almost complete timeline of his naval career and strip away the inaccuracies and myths surrounding him. They incorporate maps, illustrations, and end notes, as well as a bibliography, glossary, and index. Each author has a connection to this man, be it a familial relationship or through research. They combine their knowledge of the Royal Navy, the Isle of Man, and this “man who steered the Victory at Trafalgar” to craft an authoritative, yet highly readable biography. (vii)



Review Copyright ©2022 Cindy Vallar

Skull &
                          crossbones = return to menu

Cover Art: Slaver Captain
Slaver Captain
By John Newton
Seaforth, 2010, ISBN 978-1-84832-079-6, US$27.95 / UK £13.99

One of the volumes in the Seafarers’ Voices series, Slaver Captain is Newton’s memoirs of his life (1725-1807) combined with his reflections on his participation in the slave trade. He writes about loving a distant relation, deserting the Royal Navy and his flogging upon capture, how he entered the slave trade, his eventual retirement because of ill health, and his ordination as a minister for the Church of England. The editor, Vincent McInerney, has brought together two of Newton’s works in this book. Thoughts on the African Slave Trade (1788) is a public confession of his involvement in slavery and his plea for abolishing it. The fourteen letters he wrote in hopes of entering the Anglican ministry appeared under the title An Authentic Narrative of Some Remarkable Particulars in the Life of John Newton (1765).
            
The editing of this volume provides a seamless and readable narrative, even though McInerney reduced the overall length of the two volumes to remove “repetition, theological argument, and observations of perhaps limited interest to those interested primarily in maritime aspects of the work.” Slaver Captain is an enlightening, eloquent, and forthright account of 18th-century sea life that provides a firsthand account of the slave trade from the perspective of a participant who later became a strong advocate for abolition of the vile practice. While most readers may not recognize Newton’s name, they will recognize his hymn, “Amazing Grace,” and this book provides readers with a new perspective of the song.


Review Copyright ©2011 Cindy Vallar

Skull
                                    & crossbones = return to menu

Home
Pirate Articles
Book Reviews
Pirate Links
Sea Yarns Galore
Thistles & Pirates


Gunner = Send Cindy a
                      message
Click to contact me

Background image compliments of Anke's Graphics